Common Whole Tone Scale Patterns for Improvisers: Tips and Examples

The whole tone scale is a symmetrical scale consisting of six notes, each a whole step apart. It creates a distinctive, dreamlike sound that is popular in jazz, classical, and experimental music. Improvisers often use specific patterns within this scale to craft interesting melodies and solos. Understanding these patterns can significantly enhance your improvisational skills.

Basic Whole Tone Scale Pattern

The most fundamental pattern involves playing the six notes of the scale sequentially. For example, starting on C:

This pattern can be transposed to any root note, maintaining the whole step intervals. It forms the basis for more complex patterns and improvisations.

Descending Whole Tone Pattern

Playing the scale in descending order offers a different tonal perspective. Starting from A#:

This pattern is useful for creating tension and release, especially when resolving to a more stable scale or chord.

Arpeggiated Whole Tone Pattern

Improvise by outlining the scale in an arpeggiated manner. For example, starting on C and jumping through the scale:

This pattern emphasizes specific chord tones and adds rhythmic interest to your improvisation.

Adjacent Note Pattern

Play notes that are a whole step apart, skipping every other note in the scale. For example, starting on D:

This pattern helps create a flowing, connected sound that can be used over various harmonic contexts.

Tips for Using Whole Tone Scale Patterns

Experiment with different starting points and patterns to find what fits your musical style. Incorporate these patterns into your solos, focusing on smooth transitions and rhythmic variation. Listening to jazz legends like Bill Evans or modern improvisers can provide inspiration for how to effectively use the whole tone scale.

Examples in Context

Try applying these patterns over dominant seventh chords with altered tones, especially in jazz improvisation. For instance, over a G7 chord, use the G whole tone scale to add color and tension before resolving to a C major chord.

Practicing these patterns in different keys and contexts will develop your ear and improvisational vocabulary, making your solos more expressive and inventive.

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